The Christmas Card Story

The first Christmas card

As I developed a nice line of note cards, I realized that I had better come up with some CHRISTMAS CARDS.  So I began to do that.  The first Christmas card was not so hard.  I wanted to create a kinda Charlie Brown tree with some flowers as ornaments and lettering for the season-hence the Merry Christmas created as a ribbon with a bird carrying it to the tree!  Good. that seemed to work OK.   My first design was finished.  That was 1999.

The 2nd design required some new thought.  As I was into pressing mushrooms and vegetables at the time, I thought, well they might create a tree.  Remember when you are creating Christmas designs for the card markets they need to be done by early summer at the lastest.  Drat, not so easy.  My mind is not there.  But chili peppers and green hot peppers had that red and green look, didn’t they?

 

 The next year certainly wasn’t so hard either.  This was a sprig of multifloral roses.  And when I held it upside down it looked like a tree!  Good-add some flowers and it became the Christmas card for 2001.

Well, let’s skip a year or so.  It became increasingly hard to come up with something new each year with a Christmas theme. 

One of my favorites is the one for 2003.  This has a music back ground and is capturing the wonderful Christmas song “O, Tannenbaum”

This design has a music background and asparagus fern is the tree and buttercups, red salvia petals, and verbena are the ornaments.  The star is a coreopsis.  This remains a popular choice.  All it needs are the lit candles!

 

 

I did try to stay with trees as much as possible but did find I had to stray.  The wreath design in 2005 came about from cardinal vine leaves.  They have a semicircular base and I thought-WOW-put them all together and they make a circle. That was excellent for a wreath with buttercups, cleome, red salvia as the design and a marvelous quote from Dale Evans: “Every time we love, every time we give: it is Christmas”.

 

 

 

 

 

So by now each year is getting harder.  I begin to dread coming up with something new and exciting for Christmas when it is hot and humid.

The one year, I started to plan in early January-Ah, HA!  I pressed the small petals of a red pointsettia and saved them-until July, of course;  and then I reassembled them to look like a complete flower.  A poinsettia flower is far too large for pressing for my purposes.  It turned out pretty nice and again I used a music background for the final card.                                                                                 

This is has now stretched into 13 designs and
I am  hard-pressed (!) to tell you my favorite.

I really like the one with the tree that has tomato crowns as the stars (2010), and this year the theme is “The Holly and the Ivy”.  There was much weeping and gnashing of teeth to get this design.

But I do think my all time favorite is this one which uses the calligraphy principles of illumination where the artwork becomes part of the letters-usually only used with capital letters.  It is from 2009.

The leaves are from the passion vine and coreopsis is the yellow flower, then tendrils are also from the passion vine and the red is a fuschia.  The letters have music in them.

 

 

 

I hope you have enjoyed this enlightenment of the creation of Christmas card designs by QuilliGraphy.

You can view all the Christmas cards at

http://www.quilligraphy.com/onlinestore/products/christmas-cards.php

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Creating a QuilliGraphy art piece

Often, I will be asked how I do my art, how long it takes, where do I get the quotes, are those the REAL flowers in the artwork??  and other meaningful questions.

I will try to answer some of them here.

First of all, I press all my botanical material.  I collect all of it too.  I don’t grow all of it-I have dedicated friends and acquaintances who allow me to groom their gardens for “just the right specimen”.   Often I will trade notecards for flowers.

Choosing the right quote is easy as I have so many to choose from.  They are everywhere and they truly find me.  I have so many to do that it scares me!  Sometimes it is difficult to prioritize. 

OK so now I have chosen the quote or saying or poem or better yet, I wrote something that is suitable.  What calligraphy script ?  Well, it has to work with the words.  If the quote is succint-I may choose a bookhand script which does not have so many flourishes and is fairly straighforward.  If the quote is romantic, I probably will do an italic or version of italic.  If the quote is strong, I may use gothic or blackletter or Roman. 

Now, I have figured that out and must choose the ink color.  Again, what the quote says or portends to say influences the colors I use.  If it is a baby piece, I will generally use a blue or a pink (sorry-very traditional here!) or at least work those colors into the piece.  If it is a garden piece, I will generally use green.  One of my favorites to use is burgundy as it goes with so many things.

So, the lettering is finished.  I work on Bristol Board which is a stiff heavy paper.  I use dip pens for my ink and like the feel of the pen pulling on the Bristol Board-it has what they call “tooth” which is the rough feel of the paper. 

Now, I just let it be for awhile.  When I come back to it, I start to place the flowers I want around the design.  Sometimes it just works and sometimes it takes a lot of picking, choosing and rearranging.  Color is essential.

When I am satisfied with the design I render it as a digital image.  That way I can reproduce it in any size, the colors of the flowers will not fade and it will look fresh and vibrant always.

Let’s look at one of the latest designs.  It is a quote by Maya Angelou who is one of my favorites.  You know, she is the Poet Laureate of our country!  I will post some pictures of the different stages of the design.

Now let’s see if I followed my “rules”-

I chose the Bookhand script because I felt this was a straighforward quote with real impact.  I chose the blue ink because I wanted to :-)   I also accentuaded the key words in my interpretation of this quote.

When you look at the completed design at the top, you see that I chose blue flowers, lobelia to accentuate the blue script and also as an accent piece, the orange zinnia.  I like to have a color that is fairly opposite on the color wheel to accent.  The other flowers used are astilbe, spirea, and a daisy.  Daisies are always friendly.

It is important to me to identify my botanical material and sometimes I miss-so if you don’t think I am right about something-please inform :-) )

So now you have the finished design and you can see it on my website

http://www.quilligraphy.com/onlinestore/products/quotables/Q619.htm

I hope you visit QuilliGraphy often.  You can see many designs that are the work of my heart.

Also you can visit http://www.cafepress.com/mattersofheart for baby items and
http://www.cafepress.com/heartmatters for apparel and gifts.

and if you want something else to do !  check out my Etsy shop where I have new things I am trying like botanic collages, jewelry and instruction CD’s.

www.etsy.com/shop/judyorcutt

Many Blessings to You!   Please keep in touch.

Judy

Posted in Pressed Plants and Flowers | 2 Comments

Oregon in June

Oregon in June is Oregon at it’s best in my opinion. It is sunny and still pretty cool. The rain has lessened. The skies are magnificent always. The coast takes my breath away.  The flowers are HUGE.  The roses are in their glory.  Portland is the “City of Roses”.  Because it is a rain forest atmosphere they grow abundantly.  Since I like to stop to smell the roses, I had to curb my enthusiasm!

These are some photographs from the trip (I have many, many more!). It is hard to select just a few. If you run your pointer over the photograph you will get the location where it was taken.

Please ENJOY !

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Peony Envy

I belong to a wonderful organization,
the American Association of University
Women.  Frequently we do enjoyable
things together.  The visit to this
estate garden was one of those special
times.

I hope you enjoy these varieties of
peonies as well as some of the other
photographs.

Judy

Posted in photography, Pressed Plants and Flowers | 2 Comments

Poppies, poppies, poppies

There is a beautiful garden near me that I delight in visiting.  The owner is so willing for me to photograph or take pressing material from her garden.  I trade notecards to those who do this for me.

She has a wall of poppies that fascinate me each Spring.  As a pharmacist I am interested in poppies as they are the source of opium.  This is a major drug problem in Turkey and Afghanistan because it is so lucrative for the farmers to produce it. 

Poppy for Medicine is an alternative counter-narcotics strategy that has been successfully implemented in many countries. It involves licensing the controlled cultivation of poppy to produce essential poppy-based medicines such as morphine, and unlicensed poppy cultivation remains a criminal activity.  www.poppyformedicine.net

Well, the poppies are just about finished for this year.  But they will live on in my photographs.  I hope you have enjoyed them too.

Judy

visit me at www.etsy.com/shop/judyorcutt

and http://www.quilligraphy.com/

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